Happy 420! Let’s take the time to remember the black Americans jailed for marijuana use/distribution far more than white Americans despite the usage rates being about the same. Look at how steady those arrest rates are for white people while the black arrest rate climbed steadily.
“So you see,” said the Royal Advisor, wringing his hands, “the curse states the princess will die on the night before her twenty-fifth birthday–”
“Hang on,” said the princess, “‘ON the night before’–”
The Advisor nodded grimly.
“So what you’re saying is that, until that one specific date, I am effectively immortal?”
“Technically yes, but then–” the King stammered.
“Wow,” said the princess, who was sixteen and did not possess amazing impulse control. “I’m gonna go teach myself how to juggle chainsaws while hang gliding over shark-infested waters, catch you chuckleheads later.”
Here’s the thing about curses that most people don’t realize: curses are selfish.
Not the motives behind them—not necessarily, at any rate—but the curses themselves, the nuts and bolts of the magic, so to speak. If someone wraps an enchantment around you, and that enchantment’s sole purpose is to doom you on a particular day and time—the stroke of midnight is pretty popular, for whatever reason—well.
Something that complex and powerful operates according to its own rules. It wants vengeance, and that means doing whatever must be done to ensure that no rival foe shows up at the eleventh hour to steal its thunder. Princess Hammerhands the Sharkpuncher, as she would later come to be known, was an extremely rash and somewhat foolish person, but the “immortality until you die” loophole is real.
Knowing your body will defy death takes some of the thrill out of death-defying stunts, as it turns out. Some, not all. Princess Hammerhands the Sharkpuncher had some good years on the daredevil circuit. She picked up several neat tricks—a good performance wasn’t just about survival, but artistry, she figured. She befriended sword swallowers and fire breathers and professional dragon ticklers. But after three years, she was feeling antsy again.
This weekend I was told a story which, although I’m kind of ashamed to admit it, because holy shit is it ever obvious, is kind of blowing my mind.
A friend of a friend won a free consultation with Clinton Kelly of What Not To Wear, and she was very excited, because she has a plus-size body, and wanted some tips on how to make the most of her wardrobe in a fashion culture which deliberately puts her body at a disadvantage.
Her first question for him was this: how do celebrities make a plain white t-shirt and a pair of weekend jeans look chic? She always assumed it was because so many celebrities have, by nature or by design, very slender frames, and because they can afford very expensive clothing. But when she watched What Not To Wear, she noticed that women of all sizes ended up in cute clothes that really fit their bodies and looked great. She had tried to apply some guidelines from the show into her own wardrobe, but with only mixed success. So - what gives?
His answer was that everything you will ever see on a celebrity’s body, including their outfits when they’re out and about and they just get caught by a paparazzo, has been tailored, and the same goes for everything on What Not To Wear. Jeans, blazers, dresses - everything right down to plain t-shirts and camisoles. He pointed out that historically, up until the last few generations, the vast majority of people either made their own clothing or had their clothing made by tailors and seamstresses. You had your clothing made to accommodate the measurements of your individual body, and then you moved the fuck on. Nothing on the show or in People magazine is off the rack and unaltered. He said that what they do is ignore the actual size numbers on the tags, find something that fits an individual’s widest place, and then have it completely altered to fit. That’s how celebrities have jeans that magically fit them all over, and the rest of us chumps can’t ever find a pair that doesn’t gape here or ride up or slouch down or have about four yards of extra fabric here and there.
I knew that having dresses and blazers altered was probably something they were doing, but to me, having alterations done generally means having my jeans hemmed and then simply living with the fact that I will always be adjusting my clothing while I’m wearing it because I have curves from here to ya-ya, some things don’t fit right, and the world is just unfair that way. I didn’t think that having everything tailored was something that people did.
It’s so obvious, I can’t believe I didn’t know this. But no one ever told me. I was told about bikini season and dieting and targeting your “problem areas” and avoiding horizontal stripes. No one told me that Jennifer Aniston is out there wearing a bigger size of Ralph Lauren t-shirt and having it altered to fit her.
I sat there after I was told this story, and I really thought about how hard I have worked not to care about the number or the letter on the tag of my clothes, how hard I have tried to just love my body the way it is, and where I’ve succeeded and failed. I thought about all the times I’ve stood in a fitting room and stared up at the lights and bit my lip so hard it bled, just to keep myself from crying about how nothing fits the way it’s supposed to. No one told me that it wasn’t supposed to. I guess I just didn’t know. I was too busy thinking that I was the one that didn’t fit.
I thought about that, and about all the other girls and women out there whose proportions are “wrong,” who can’t find a good pair of work trousers, who can’t fill a sweater, who feel excluded and freakish and sad and frustrated because they have to go up a size, when really the size doesn’t mean anything and it never, ever did, and this is just another bullshit thing thrown in your path to make you feel shitty about yourself.
I thought about all of that, and then I thought that in elementary school, there should be a class for girls where they sit you down and tell you this stuff before you waste years of your life feeling like someone put you together wrong.
So, I have to take that and sit with it for a while. But in the meantime, I thought perhaps I should post this, because maybe my friend, her friend, and I are the only clueless people who did not realise this, but maybe we’re not. Maybe some of you have tried to embrace the arbitrary size you are, but still couldn’t find a cute pair of jeans, and didn’t know why.
i was at a grocery store really late one night and some old guy kind of eyed me as i walked out of the store next to this other lady. She and I made eye contact and i knew she was scared too. we loaded up our groceries into our cars as fast as possible and I had way more bags than her so she got done faster than me. I panicked because i was sure she was going to leave so i just hurried faster, shaking a little, and then i noticed she sat in her car, watching me and making sure nobody came near. She waited not until all my groceries were loaded, or until my cart was put away, or until I got into my car. No, she didn’t drive away until I drove away.
And that was the moment that I realized how much women need other women. That we can’t win this war without each other and we have to be looking out for each other, every second.
my last year in new york city, i got off the subway around 9 or 10p.m. i only lived about 5 blocks from the f train, but i hadn’t gotten more than two before a woman’s hand suddenly touched my arm.
“that guy behind us is following you,” she said. “he was watching you leave the train car and followed you up.”
i hadn’t noticed him, or at least not noticed him following me. when we stopped outside a grocery store, he stopped half a block back and loitered. the woman linked her arm with mine and walked me several blocks out of her way to my front door and made sure i got inside safely.
another time, nocigar and i were walking home and at a stoplight a stranger grabbed my arm when i wouldn’t respond to him and tried to physically drag me over to him. she—who is, by the way, not a very physically imposing girl—ripped his hand off my arm and snarled, “don’t fucking touch her.”
protect your friends. protect strangers. there are good men in the world, but don’t wait for them to do something if you can do it yourself.
I was at a club once and my friend left with her boyfriend so I finished my drink and was heading out to the parking lot when three girls came up to me and basically surrounded me.
“Those guys behind us were talking about following you. We can walk with you.”
I have MMA training but have never in my life had been offered the protection and sanction of my own gender. This is so important.
GIRL CODE. FUCKIN’ GIRL CODE. LEAVE NO GIRL BEHIND. EVER.
“british sense of humor” isnt a thing yall just arent funny lmfaooooo
Lol Americans
Americans have literally no banter
why did u colonize 90% of the world
lol idk Just seemed less barbaric than slaughtering millions of native americans, robbing their land, claiming it as my own and buying human beings from across the Atlantic to build my country :) :) :) :) :) :) :) :) :) :) :)))))))))))))
what if the reason nobody can tell fred and george apart is because they really are interchangeable
not in a ~it doesn’t matter~ way but like. molly and arthur used to worry that fred and george might turn out to be squibs because they weren’t doing any accidental magic as children, but they were, THEY TOTALLY WERE, it just wasn’t anything flashy, instead they were just like idly switching bodies all the time
and like sometimes it doesn’t make much of a difference, whatever, wake up in the opposite bed you went to sleep in, but it gets like dangerous and weird if you’re on a broom or in the pond or letting your mum teach you to cook or trying to be mad stealth, so for a long long time everybody presumes they’re clumsy maybe-squibs and that they’re doing their twin lying thing when they try to explain what’s going on, so they learn to handle the issue their ownselves
they just. don’t go anywhere without the other. they start each day deciding which body is going to be which (because at this point they really don’t know which body is technically fred and which is technically george), and they learn to reorient FAST when they switch, and what things set them off, and eventually they learn how to act like nothing’s up even when one of them’s in the air and one’s on the ground or whatever, and then they burn past that til they can finish each other’s sentences — til they can switch midsentence — til they can play beater together — til they can switch in a split second in the middle of a game — til there’s room for other kinds of accidental magic to start showing up
at hogwarts they keep each other awake in history of magic by switching back and forth. in potions they take turns brewing and keeping lookout for the slytherins. in transfiguration and charms they keep their grades up because one of them will always get a spell right on the first try so they switch and make it look like both of them do and then they practice on their own later in private. it keeps the mystery alive.
at first they thought lee was just a lucky guesser but no, lee can always tell one twin from another twin — it’s not exactly telling fred from george, because while they are definitely two distinct personalities neither one of them feels like fred all the time or george all the time — but lee knows who he argued with yesterday or who he lent his notes to or who’s best to ask for help in astronomy and who’s best at runes.
the weasleys are pretty bad at it for the longest time, but then bill comes home from his first year cursebreaking and he can tell, and over a holiday he teaches his trick to charlie so charlie can tell. alicia and katie and angelina can tell. the twins honestly don’t know if oliver can tell or not; so long as they’re doing what they’re supposed to on the quidditch pitch he doesn’t really care about much else. harry can tell. luna can tell. tonks can tell.
the problem is there’s no way for this to end happily
YES THERE IS
THERE IS INDEED A WAY FOR THIS TO END HAPPILY LISTEN UP
so after fred dies, george hates being trapped in one body, feels claustrophobic, misses fred so much he thinks it might drive him insane
but then one day
george blinks and he’s somewhere he wasn’t a second ago, he’s in a place full of white light and he can’t orient himself, can’t ground himself, feels dizzy and sick and overwhelmed but it only lasts for about thirty seconds.
then he’s back in his own body.
and he looks down at his chest, his legs, his arms, there’s an ear missing so it’s definitely still his living body, but there’s something written on his arm, scrawled in messy quill ink.
“i love you. i miss you.”
george flips out, washes off the ink and immediately writes a message in reply— “how’s death going?”
he walks around with that message written on his arm for weeks, always keeping a quill pen somewhere nearby, waiting, waiting, before it finally happens again. the switch. george is alive, so he can’t handle being in the afterlife, he feels dizzy and sick and it’s the worst feeling in the world, but it doesn’t last long, and when he gets back to his living body, there’s a long message from fred waiting on his right thigh, the ink still drying.
this goes on for years, never as often as either twin would like, but it’s enough. fred helps george figure out how to propose to angelina, fred helps plan the wedding. sometimes it’s fred in george’s body when angelina kisses her husband. sometimes she suspects, but she doesn’t mind in the slightest.
it gets easier as george gets older. the times when he switches into fred’s afterlife don’t hurt as much. he almost feels comfortable there, almost feels oriented. he knows he’s getting closer to dying.
then when george is past ninety, lying on his deathbed, he writes a careful message on his palm. “i’m coming soon. where are you?”
they switch, it lasts for almost five minutes this time, and when george gets back into his own body, he sees the instructions fred wrote over his heart.
“you’ll wake up in king’s cross station. take the second train and get off at the third stop. i’ll be waiting.”
THIS IS THE BEST GODDAMN HARRY POTTER HEADCANON I HAVE EVER READ I AM C R Y I N G
